by Aleem Karmali
The perceived divide between the so-called "Islamic" and "Western" civilisations, often viewed through a history of conflict, ignores the more dynamic, positive, and creative interactions that have taken place over the centuries. Art, artefacts, and architecture contain evidence of the interactive nature of cultural interchange. Read article
by Aleem Karmali
This short article explores the debated term "Islamic art" and the forms traditionally associated with it, while arguing for an approach to view "Islamic" art through the notion of symbolic representation of the beliefs and values of Islam. It then examines how sometimes radically altered modern forms of art and architecture still continue to represent these values. Read article
by Aleem Karmali
While many people discuss Muslim gardens as simply reflections of the Qur'anic vision of paradise, Muslim gardens have also made positive and productive contributions to society thoughout history. In the modern world, this role can extend to the pressing challenges of environmental conservation, as seen through the example of the Aga Khan Garden, opened in Edmonton, Canada in 2018. Read article
by Aleem Karmali
This article is based on a talk presented during a panel discussion titled "Theism, Humanism, or Scientism: Which is the Real Delusion?" hosted by the University of Alberta's Chester Ronning Centre for the Study of Religion in Public Life. It argues that the teachings of Islam promote an integrated approach to theology, science, and ethics that go beyond the categories of theism, scientism, and humanism. This is based on the common Muslim belief that faith (din) and world (duniya) are inseparable and a belief that there is no dichotomy between science and religion in the Muslim tradition. Read article